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This is the first chapter of a long and winding tale: how a leafy Mid-Southern city with an attraction for the insurance business grew into the Third Coast of the American record industry. Yet the story of Music City USA opens not in Owen Bradley's Quonset hut or RCA's studio B, nor with independent labels of the '40s like Bullet Records, but in a temporary studio in a downtown office building, one week in 1928.
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