Document Records - Vintage Blues and Jazz

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Charley Lincoln & Willie Baker 1927 - 1930

 



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Country Blues, the essential DOUBLE CD
Drawing from the Document Catalogue, this double CD set represents some of the many wonderful Country Blues recordings, in particular with the accompaniment of guitars and harmonicas, which came from the halcyon days when Country Blues musicians could be heard playing on the streets, at parties, dances and in juke joints, or on the porches of sharecropper's shacks.



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Troubled Hearted Blues - Vintage Guitar Blues (1927 - 1944)

Various Artists.
Informative 8 page, full colour booklet written by Kieth Briggs.
Detailed discography.

Twenty four tracks of some of the finest blues guitar on record. Includes superb bottleneck guitar playing by Robert Lockwood, Gabriel Brown and Bukka White, stunning finger picking by George Torey, Robert Wilkins and Blind Lemon Jefferson and much more. Features the recently found and incredibly rare copy of Blind Joe Reynolds Cold Woman Blues and Ninety Nine Blues recorded for Paramount. National Steel Guitars, Stella 12-strings and Martins, they're all here. Continued...




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Too Late Too Late Blues 1926 - 1944
DOCD-5150 Too Late Too Late Blues 1926 - 1944 Alternative takes and rare, late, discoveries. Various. The first Document CD appeared in 1990 with DOCD-5001 “Tommy Johnson”. Three years and 150 releases later the first volume of the “Too Late, Too Late” albums appeared. The unprecedented unleashing of such a fast growing bulk of blues and gospel recordings in such a “completist” fashion inspired both fans of the music and collectors alike. Once that the great river of releases had been flowing for a while collectors began to think again about what might be hidden in the corners of their collections or had until then been regarded of no real significance. In addition there were recent and continue to be, rare finds. A Big Bill Broonzy 78 had just recently been found, having been picked up in a lot that was saved from the street where it had been left for disposal. Then there was the box of Paramount tests that had been found several years ago which were made available. Collectors also began to revisit their records with more attention being paid to the recordings themselves and on many occasions found that takes that appeared on their records were not the takes that had thus far been re-issued.



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