Document Records - Vintage Blues and Jazz

Document Records
Kokomo Arnold Vol 2 1935 - 1936

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Kokomo Arnold
Roosevelt Sykes


Kokomo Arnold
01 - Southern railroad blues Listen
02 - Bo weavil blues Listen
03 - Busy bootin` Listen
04 - Let your money talk Listen
05 - `cause you`re dirty Listen
06 - Tonic head blues Listen
07 - Policy wheel blues(90044) Listen
08 - Traveling rambler blues Listen
09 - Stop, look and listen Listen
10 - Doin` the doopididy Listen
11 - The mule laid down and died Listen
12 - Big leg mama (John Russell blues) Listen
13 - Milk cow blues - no. 3 Listen
14 - Milk cow blues - no. 4 Listen
15 - Down and out blues Listen
16 - Model T woman blues Listen

Roosevelt Sykes
17 - Jet black snake Listen

Kokomo Arnold
18 - I`ll be up someday Listen
19 - I can`t get enough of that stuff Listen
20 - Desert blues Listen
21 - Bull headed woman blues Listen
22 - Sundown blues Listen

Roosevelt Sykes
23 - The honey dripper Listen

Kokomo Arnold Vol 2 1935 - 1936

Kokomo Arnold, vocal, bottleneck-slide guitar.

Genres: Country Blues, Country Blues guitar, bottleneck-slide-guitar, Georgia blues, Chicago blues.

Informative booklet notes by Keith Briggs.

Detailed discography

By 1935 Kokomo Arnold was firmly ensconced in Chicago. He was still a country boy to many of his associates but, never an unworldly man; he was quickly getting wise to the big city and its ways. Despite his dedication to his basement bootlegging business and a strong desire to "go fishing instead" he had become a fixture on the local entertainment scene, working beside most of the big names in the blues at that time.

The session on July 23th 1935 saw the first use of a piano to support his highly personal slide style and speculation among collectors has it that this was his first collaboration with Peetie Wheatstraw. It was during the period covered by this CD that Kokomo returned to Milk Cow Blues; covering his own hit in an attempt to recreate its success. This concentration on a winning theme may have made sense commercially but artistically Kokomo had much more to offer.

He drew his subject matter from all over and if in April he was celebrating that rural scourge/hero the boll weavil by July he was commenting on the big city preoccupation of Policy. The mysterious John Russell also reappears in the sub title to Big Leg Woman where he seems to be giving Kokomo considerable trouble. I wonder if this was a real person who Kokomo felt the need to castigate in song or a fictional character from black urban mythology.

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