Blind Boy Fuller, vocal guitar.
With contributions by Sonny Terry, harmonica.
Genres: Country blues, Piedmont blues, Carolina blues, Blues guitar, Ragtime guitar.
Informative booklet notes by Ken Romanowski
Review by Jason Ankeny
The 22 sides which comprise the third volume in Document's Blind Boy Fuller retrospective were all culled from sessions cut in the latter half of 1937; the first session, from mid-July, was recorded under the auspices of the Decca label, a situation which left Fuller's longtime manager J.B. Long -- as well as ARC Records -- none too happy. As a result, at the bluesman's next session, Long insisted he re-record many of the titles earlier cut for Decca, resulting in alternate takes of Bulldog Blues, Throw Your Yas Yas Back in Jail (a.k.a. "Put You Back in Jail") and Steel Hearted Woman (a.k.a. "Why Don't My Baby Write to Me"); for blues historians, the chance to compare and contrast the sessions will be irresistible.