Document Records - Vintage Blues and Jazz

Document Records
Leadbelly Vol 6 1947


7.49    7.49 New
 

FEATURED ARTIST / S
Leadbelly

    TRACK LIST
01 - Yellow gal
02 - You can`t lose me Cholly
03 - Laura
04 - Good morning blues
05 - Leaving blues
06 - Big fat woman
07 - Gray goose
08 - Pick a bale of cotton
09 - Take this hammer
10 - Bring me a little water Silvy
11 - Moaning
12 - Meeting at the building
13 - Wshall walk through the valley
14 - Irene good night
15 - cotton song
16 - Ha ha this way
17 - Sukey jump (win' jammer)
18 - Black girl
19 - Rock island line
20 - Blind lemon (song)
21 - Borrow love and go
22 - On a monday (i'm almost done)
23 - Shorty George
24 - Duncan (and Brady)
25 - Old Riley
26 - Leavin' blues (Leavin' in the morning)
27 - Pigmeat
28 - If it wasn't for Dicky
29 - Black Betty / Old man / On a Monday
30 - turn yo' radio on
31 - No good rider
32 - Howard Hughes
33 - New York City
34 - The Gallis Pole
35 - I'm leavin' on the morning train
36 - Jean Harlow
37 - Good mornin' blues
38 - Eagle rock rag

DOCD-5568
Leadbelly 1939 – 1947  Volume 6; 1947 (Commercial recordings)

Lead Belly, twelve-string guitar, concertina, piano
Blues, ballads, work songs, spirituals.

Informative booklet note by Ken Romaowski
Detailed discography.

It is indeed fortunate that an undiscovered session of Leadbelly's songs such as this has surfaced fifty years after it's recording.

In a lot of ways 1947 was a crucial year for Lead Belly. After his disappointing attempts to break into the film industry, he returned to New York to re-enter the circle of politically active performers who rightly revered Lead Belly as something of an elder statesman. In New York he headlined some prestigious concerts, had a regular slot at the Village Vanguard and continued to record for Moe Asch.

Two blocks of these recordings for Asch made in the summer of 1947 make up the bulk of this CD. Almost two thirds of the total number of titles are re-recordings of tracks previously released by Asch. Some of the remaining titles are remakes of unissued masters recorded by Asch, whilst some are new versions previously released by Victor, Bluebird and Musicraft. A handful of songs are new to Lead Belly's recorded catalogue, such as two energetic and charming numbers on which he accompanies himself on the concertina or “win-jammer” as he referred to it: Laura and Sukey Jump.

The last batch of songs on this CD are not listed in any of the discographies and may have been recorded by one of the smaller, independent New York record labels. These include a new version of Black Betty, Old Man and On A Monday. A good number of the tracks from this session were not released by anyone in 1947, even though versions were recorded by the Library of Congress, Asch and others.

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