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Bessie Tucker 1928 - 1929

Bessie Tucker, vocal.

With contributions by: K.D. (Mr. 49) Johnson, piano; Jesse "Babyface" Thomas, guitar.

Genres: Female vocal blues; Country blues, Texas blues.

Informative booklet notes by Roger Misiewicz.
Detailed discography.

Taken from this album's booklet notes.
Bessie Tucker first recorded in Memphis, Tennessee on August 28, 1928. From the sole surviving picture of her, she would appear to have been a young woman at the time, slim and fine featured. To all outward appearance, here is a genteel "high yellow" indeed.

However, once you hear her voice, immediately there is a marked difference from what you would have expected. A sombre, even somewhat dangerous aura comes immediately to the forefront. Moans, songs of travel, jail, fights with men, women and knowledge of the police are brought forward in a manner that could be artistry of the highest level, or otherwise mere brutal honesty - telling the stories she knew in song directly, personally, and immediately. If you listen with the latter assumptions, this initial session has a slice of life quality seldom equalled in the blues. Continued...

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Too Late Too Late Blues 1926 - 1944
DOCD-5150 Too Late Too Late Blues 1926 - 1944 Alternative takes and rare, late, discoveries. Various. The first Document CD appeared in 1990 with DOCD-5001 “Tommy Johnson”. Three years and 150 releases later the first volume of the “Too Late, Too Late” albums appeared. The unprecedented unleashing of such a fast growing bulk of blues and gospel recordings in such a “completist” fashion inspired both fans of the music and collectors alike. Once that the great river of releases had been flowing for a while collectors began to think again about what might be hidden in the corners of their collections or had until then been regarded of no real significance. In addition there were recent and continue to be, rare finds. A Big Bill Broonzy 78 had just recently been found, having been picked up in a lot that was saved from the street where it had been left for disposal. Then there was the box of Paramount tests that had been found several years ago which were made available. Collectors also began to revisit their records with more attention being paid to the recordings themselves and on many occasions found that takes that appeared on their records were not the takes that had thus far been re-issued.

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