Blind Willie McTell 1940
Blind Willie McTell CDs Tryin’ To Get Home presents what must be one of the most historic recordings in African-American history. The result of this encounter in Atlanta, Georgia, was a recorded interview which captured a close insight into the life and music of one of the greatest Country Blues names to have been commercially recorded.

Memphis Jug Band 1932 - 1934
Memphis Jug Band CDs Of all the Jug Bands to record, the Memphis Jug Band featuring Will Shade and Charlie Burse must be one of the best known and most memorable. Jug, harmonica, mandolin, guitar, piano, drums and woodblocks are put to great use with some of the most energetic and lively to have been recorded.

Big Joe Williams Vol 1 1935 - 1941
Big Joe Williams CDs Big Joe Williams, not to be confused with ex-Basie big band singer or any of the other “blues singing Joe Williams”, was the archetypal itinerant blues singer travelling from his birthplace in Mississippi where he knew Charley Patton, Tommy McClennan and David Edwards, on to St. Louis where he married blues singer Bessie Mae Smith and then on to Chicago where for a period of time he shared lodgings with white rock-blues singer-guitarist Mike Bloomfield.

Big Joe Williams Vol 2 1945 - 1949
Big Joe Williams CDs Big Joe Williams, not to be confused with ex-Basie big band singer or any of the other “blues singing Joe Williams”, was the archetypal itinerant blues singer travelling from his birthplace in Mississippi where he knew Charley Patton, Tommy McClennan and David Edwards, on to St. Louis where he married blues singer Bessie Mae Smith and then on to Chicago where for a period of time he shared lodgings with white rock-blues singer-guitarist Mike Bloomfield.

Jack Kelly & His South Memphis Jug Band 1939 - 1939
Jack Kelly & His South Memphis Jug Band CDs

Cripple Clarence Lofton Vol 1 1935 - 1939
Cripple Clarence Lofton CDs

Cripple Clarence Lofton Vol 2 1939 - 1943
Cripple Clarence Lofton CDs Cripple Clarence Lofton’s name is synonymous with energetic boogie-woogie and deep blues piano. Though his style was not highly sophisticated his playing was lyrical and infectious. In addition, he more than compensated with his voice, his songs and his stage presence. Clarence would jump up, dance, whistle, joke and kick up a storm as he performed making him a favourite with his audiences.

Memphis Minnie Vol 1 1935
Memphis Minnie CDs

Memphis Minnie Vol 2 1935 - 1936
Memphis Minnie CDs

Memphis Minnie Vol 3 1937
Memphis Minnie CDs

Memphis Minnie Vol 4 1938 - 1939
Memphis Minnie CDs

Memphis Minnie Vol 5 1940 - 1941
Memphis Minnie CDs