Document Records - Vintage Blues and Jazz

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Herschel Brown 1928 - 1929



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John Dilleshaw 1929 - 1930



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Frank Hutchison Vol 1 1926 - 1929



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Old Time Music From West Virginia 1927 - 1929



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Earl Johnson Vol 1 1927
Robert Earl Johnson learned to play the fiddle from an early age, partly with some assistance from his father. When he was young, he used to practise together with his two brothers, Albert on banjo and Ester on guitar. Between 1920 and 1934, Johnson was a regular participant at the Atlanta Fiddlers' Convention.In 1923, Albert and Ester were the victims of an epidemic.The same year, Johnson joined Fiddlin' John Carson's Virginia Reelers and within two years, he made his first recordings on Paramount Records. Initially, he recorded with the 'Dixie String Band' and Arthur Tanner. He became the Georgia state fiddle champion of 1926 in Atlanta. Johnson formed the Dixie Entertainers with guitarist Byrd Moore and banjoist Emmett Bankston and they made their first recordings for Okeh Records on February 21, 1927. When Byrd Moore left, Johnson added guitarist Lee "Red" Henderson and formed 'The Clodhoppers'. The new band became successful recording for Okeh in October 1927. Although he made his last recordings in 1931, he continued to perform on the radio and on fiddlers' conventions for the remainder of his life. His last performance was on May 24, 1965 at the Stone Mountain Fiddlers' Convention in Georgia No less than a week later, he died of a heart attack Biog details courtesy of Wikipedia



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Earl Johnson Vol 2 1927 - 1931



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The Stripling Brothers Vol 1 1928 - 1934



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The Stripling Brothers Vol 2 1934 - 1936



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Mississippi String Bands Vol 1 1928 - 1935
DOCD-8009 Mississippi String Bands Vol. 1 (1928-1935) Floyd Ming & His Pep Seppers: Hoyt Ming, fiddle; Troy Ming, mandolin; Rozelle Ming, guitar; A.D. Coggin, calls on “Indian War Whoop”. Carter Brothers & Son; George Carter: vocal, fiddle; Andrew Carter, fiddle; Jimmie Carter, guitar. Red Whitehaed & Dutch Coleman: Red Whitehead, harmonica; Dutch Coleman, guitar. Freeny’s Barn Dance Band: Leslie Freeny, fiddle, Hendrix Freeny, fiddle; Cleveland Freeny, mandolin; S. Carlton Freeny, tenor banjo; Fonzo Cannon, vocal, guitar. The Freeny Harmonizers: Ira Ellis, fiddle; S. Carlton Freeny, tenor banjo; Neal Babb, vocal, guitar. Genres: Old Timey, Vintage Country, Country fiddle, Country harmonica, Mississippi country. Informative booklet notes by Tony Russell. Detailed discography. Mississippi fiddle music of the '20s and '30s is a hauntingly unusual dialect of old-time music. It differed from contemporary South-eastern styles in both grammar and vocabulary: it offered almost no role to the five-string banjo and, while it embraced a good deal of standard Southern fiddle repertoire, it had much too that was peculiar to it, such as oddly transformed Old World polkas and hornpipes, and a deep vein of blues. Continued...



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Kessinger Brothers Vol 1 1928 - 1929



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Kessinger Brothers Vol 2 1929



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Kessinger Brothers Vol 3 1929 - 1930



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Kentucky Gospel 1927 - 1928



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Fiddlin' John Carson Vol 1 1923 - 1924



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Fiddlin' John Carson Vol 2 1924 - 1925



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Fiddlin' John Carson Vol 3 1925 - 1926



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Fiddlin' John Carson Vol 4 1926 - 1927



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Fiddlin' John Carson Vol 5 1927 - 1929



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Fiddlin' John Carson Vol 6 1929 - 1930



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Fiddlin' John Carson Vol 7 1930 - 1934



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Georgia String Bands Vol 1 1927 - 1930



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Blind Alfred Reed 1927 - 1929



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Da Costa Woltz's Southern Broadcasters 1927 - 1929



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Georgia Songsters 1926 - 1930



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Burnett & Rutherford 1926 - 1930



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Kelly Harrell Vol 1 1925 - 1926



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Kelly Harrell Vol 2 1926 - 1929



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Mississippi String Bands Vol 2 1928 - 1930



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Leake County Revelers Vol 1 1927 - 1928
DOCD-8029 Leake Country Revellers Vol. 1 1927 – 1928) Leak County Revellers: Will Gilmer, vocal, fiddle; R.O. Mosley, mandolin; Jim Wolverton, banjo; Dallas Jones, guitar. Genres: Old Timey, Vintage country music, Country fiddle, Country string band. Informative booklet note by Tony Russell. Detailed discography. Abridged from DOCD-8029 booklet notes. The most famous string band in Mississippi in the '20s might just as accurately have called itself by another name. Two of its members lived in Sebastopol, the town where the four men first teamed up - and Sebastopol lies in Scott County. But only a walk from the Leake County line. The ensemble sound of the Leake County Revelers is highly distinctive. With fiddle and mandolin as joint lead voices and the guitar's rhythmic role somewhat understated, the music is light, cool and airy. It feels more old-fashioned than the hot, hard-driving stuff of contemporaries like the Skillet-Lickers (Document DOCD-8056 to DOCD-806) and is often closer in spirit to South-western bands like the East Texas Serenaders (Document DOCD-8031) or Taylor-Grigg's Louisiana Melody Makers, or even the African-American Dallas String Band (Document DOCD-5161).



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Leake County Revelers Vol 2 1929 - 1930



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East Texas Serenaders 1927 - 1937



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Alabama String Bands 1924 - 1937
Emerging from the static on these extremely rare recordings is excellent fiddling in a variety of styles by Alabamians whose fame did not extend far beyond the state lines.



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The Chattanooga Boys Allen Brothers Vol 1 1927 - 1930



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The Chattanooga Boys Allen Brothers Vol 2 1930 - 1932



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The Chattanooga Boys Allen Brothers Vol 3 1932 - 1934



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Sam McGee 1926 - 1934



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Nashville 1928
This is the first chapter of a long and winding tale: how a leafy Mid-Southern city with an attraction for the insurance business grew into the Third Coast of the American record industry. Yet the story of Music City USA opens not in Owen Bradley's Quonset hut or RCA's studio B, nor with independent labels of the '40s like Bullet Records, but in a temporary studio in a downtown office building, one week in 1928.



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Texas Fiddle Bands Vol 1 1925 - 1930



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Hill Billies / Al Hopkins & His Buckle Busters Vol 1



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Hill Billies / Al Hopkins & Buckle Busters Vol 2



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Hill Billies / Al Hopkins & Buckle Busters Vol 3



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Fiddlin' Doc Roberts Vol 1 1925 - 1928



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Fiddlin' Doc Roberts Vol 2 1928 - 1930



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Fiddlin' Doc Roberts Vol 3 1930 - 1934



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Lowe Stokes Vol 1 1927 - 1930



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The Dixon Brothers Vol 1 1936
The first of four volumes, chronicling the recording career of one of country music�s most individualistic of the so-called �brother acts� which flourished in during the thirties, covers their first three recording sessions.



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The Dixon Brothers Vol 2 1937
The second of four volumes, chronicling the recording career of one of country music’s most individualistic of the so-called “brother acts” which flourished in during the thirties.



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The Dixon Brothers Vol 3 1937 - 1938
The third of four volumes, chronicling the recording career of one of country music’s most individualistic of the so-called “brother acts” which flourished in during the thirties.



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The Dixon Brothers Vol 4 1938
The third of four volumes, chronicling the recording career of one of country music’s most individualistic of the so-called “brother acts” which flourished in during the thirties.



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Roy Harvey Vol 1 1926 - 1927
This is the first of four volumes featuring the complete recorded works of the hillbilly recording artist, Roy Harvey. The 4 volume set follows Harvey's recording career over a five year period from his first recordings in New York in September 1926 to his last recording session in Atlanta, October 1931 and includes some of the finest hillbilly recordings of the era.



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Roy Harvey Vol 2 1928 - 1929
This is the second of four volumes featuring the complete recorded works of the hillbilly recording artist, Roy Harvey. The 4 volume set follows Harvey's recording career over a five year period from his first recordings in New York in September 1926 to his last recording session in Atlanta, October 1931 and includes some of the finest hillbilly recordings of the era.



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Roy Harvey Vol 3 1929 - 1930
The third of four volumes featuring the complete recorded works of the hillbilly recording artist, Roy Harvey. The 4 volume set follows Harvey's recording career over a five year period from his first recordings in New York in September 1926 to his last recording session in Atlanta, October 1931 and includes some of the finest hillbilly recordings of the era.



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Roy Harvey Vol 4 1931
The last of four volumes featuring the complete recorded works of the hillbilly recording artist, Roy Harvey. The 4 volume set follows Harvey's recording career over a five year period from his first recordings in New York in September 1926 to his last recording session in Atlanta, October 1931 and includes some of the finest hillbilly recordings of the era.



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Grayson & Whitter Vol 1 1927 - 1928



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Grayson & Whitter Vol 2 1927 - 1928



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The Skillet Lickers Vol 1 1926 - 1927
This is the first of six volumes featuring the complete recorded works of The Skillet Lickers. The 6 volume set covers some of the finest, and some of the rarest, hillbilly and string band recordings of what is often called the golden age of old-time music.



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The Skillet Lickers Vol 2 1927 - 1928
This is the second of six volumes featuring the complete recorded works of The Skillet Lickers. The 6 volume set covers some of the finest, and some of the rarest, hillbilly and string band recordings of what is often called the golden age of old-time music.



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The Skillet Lickers Vol 3 1928 - 1929
This is the third of six volumes featuring the complete recorded works of The Skillet Lickers. The 6 volume set covers some of the finest, and some of the rarest, hillbilly and string band recordings of what is often called the golden age of old-time music.



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The Skillet Lickers Vol 4 1928 - 1930
This is the fourth of six volumes featuring the complete recorded works of The Skillet Lickers. The 6 volume set covers some of the finest, and some of the rarest, hillbilly and string band recordings of what is often called the golden age of old-time music.



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The Skillet Lickers Vol. 5 1930 -1934
This is the fifth of six volumes featuring the complete recorded works of The Skillet Lickers. The 6 volume set covers some of the finest, and some of the rarest, hillbilly and string band recordings of what is often called the golden age of old-time music.



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The Skillet Lickers Vol. 6 1934
The final volume of the Skillet Lickers 6 volume set covers some of the finest, and some of the rarest, hillbilly and string band recordings of what is often called the golden age of old-time music.



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Walter Smith & Friends Vol. 1
This is the first of three volumes featuring the complete recorded works of Walter Smith & Friends. The 3 volume set covers some of the finest, and some of the rarest, recordings of what is often called the golden age of old-time music.



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Walter Smith & Friends Vol. 2
This is the second of three volumes featuring the complete recorded works of Walter Smith & Friends. The 3 volume set of Walter Smith & Friends covers some of the finest, and some of the rarest, recordings of what is often called the golden age of old-time music.



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Walter Smith & Friends Vol. 3
This is the third and final volume featuring the complete recorded works of Walter Smith & Friends. The 3 volume set of Walter Smith & Friends covers some of the finest, and some of the rarest, recordings of what is often called the golden age of old-time music.



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NEW RELEASE

Narmour and Smith Vol.1 Complete Recorded Works (1928-1930)
William Thomas Narmour, fiddle. Shellie Walton Smith, guitar. Genres: Old Timey, String Band, Mississippi country fiddle. Informative booklet notes by Harry Bolick. Detailed discography. Polk Brockman of Okeh records discovered Narmour and Smith at the Winona fiddle contest organized by Doc Bailey in 1927. Their recording, “Carroll County Blues,” with “Charleston #1” as a B-side, was “one of the biggest selling records of 1929,” according to Talking Machine World, a recording industry trade paper. “Someone I Love” was nearly as well received. Their popularity continued even as the recording industry began to suffer during the Depression. Along with the Ray Brothers, they were the last of the Mississippi fiddle bands to record in that period.



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NEW RELEASE

Narmour & Smith Vol.2 Complete Recorded Works (1930-1934)
William Thomas Narmour, fiddle. Shellie Walton Smith, guitar. Genres: Old Timey, String Band, Mississippi country fiddle. Informative booklet notes by Harry Bolick. Detailed discography. Polk Brockman of Okeh records discovered Narmour and Smith at the Winona fiddle contest organized by Doc Bailey in 1927. Their recording, “Carroll County Blues,” with “Charleston #1” as a B-side, was “one of the biggest selling records of 1929,” according to Talking Machine World, a recording industry trade paper. “Someone I Love” was nearly as well received. Their popularity continued even as the recording industry began to suffer during the Depression. Along with the Ray Brothers, they were the last of the Mississippi fiddle bands to record in that period.



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