Document Records - Vintage Blues and Jazz

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Troubled Hearted Blues - Vintage Guitar Blues (1927 - 1944)

Various Artists.
Informative 8 page, full colour booklet written by Kieth Briggs.
Detailed discography.

Twenty four tracks of some of the finest blues guitar on record. Includes superb bottleneck guitar playing by Robert Lockwood, Gabriel Brown and Bukka White, stunning finger picking by George Torey, Robert Wilkins and Blind Lemon Jefferson and much more. Features the recently found and incredibly rare copy of Blind Joe Reynolds Cold Woman Blues and Ninety Nine Blues recorded for Paramount. National Steel Guitars, Stella 12-strings and Martins, they're all here. Continued...

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Memphis Blues 1927 - 1938
DOCD-5159 The Memphis Blues Vol 2 (1927-1928) Includes: Ollie Rupert, vocal, accompanied by possibly Will Weldon, guitar and possibly Will Shade, guitar. Walter Rhodes, vocal, accordion accompanied by “Pet” and “Can”, guitar duet. Pearl Dickson, vocal, accompanied by “Pet” and “Can”, guitar duet. Madelyn James, vocal accompanied by Judson Brown, piano; And others… Charlie “Bozo” Nickerson, vocal, piano Sam Townsend, vocal, guitar Hattie Hart, vocal, accompanied by Allen Shaw, vocal guitar; Willie Borum, vocal guitar. George Torey, vocal guitar. John Henry Barbee, vocal, guitar, accompanied by Willie Bee James; Unknown, stand-up bass Genres: Country Blues, Memphis Blues, Country Blues Guitar, Country Blues Piano, Informative booklet notes by Kip Lornell. Detailed discography. The city of Memphis has been linked with the blues since W.C. Handy updated 'Boss' Crump's political campaign song of 1909 and published it as 'The Memphis Blues' in 1912. This was, of course, a formal composition but when 'race' recordings really took off in the 1920's a whole underworld of blues activity was discovered to be in existence in the city, centred on the 'black' thoroughfare of Beale Street. Beale was rough; joints such as Pee Wee's, The Hole In The Wall and Jim Kanane's revelling in a reputation for having a man for breakfast' everyday - even though 'you never find a dead Nigger on Beale'; the implication being that bodies were quickly hauled out and dumped elsewhere. But there was another side to the Memphis Blues. It was born from the Country Blues, predominantly from the south, Tennessee and north Mississippi areas, which were drawn in by Afro-Americans from outlying rural areas looking for work and bringing their music with them. Memphis was evidently a lively town and that reflected in the music that could be found there, particularly in blues and jazz that could be found in the Beale Street area. The second of two powerful volumes (see also Document DOCD-5014), this CD presents another twenty five tracks of superb country blues from the “pre-war” period. Continued...

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