"Document 5000 Series "
 |
 |
 |
 |
Viewing 494 to 505 of 700
|
Mitchell's Christian Singers Vol 2 1936 - 1938 More Info on our New Store >> |
||
|
Mitchell's Christian Singers Vol 3 1938 - 1940 More Info on our New Store >> |
||
|
Mitchell's Christian Singers Vol 4 1940 / The Wright Brothers Gospel Singers (1940-c. 1948) More Info on our New Store >> |
||
|
Barrel House Women Vol 2 1924 - 1928 More Info on our New Store >> |
||
|
Dunham Jazz & Jubilee Singers 1927 - 1931 More Info on our New Store >> |
||
|
Selah Jubilee Singers Vol 1 1939 - 1941 More Info on our New Store >> |
||
|
Selah Jubilee Singers Vol 2 1941 - 1944 - 1945 More Info on our New Store >> |
||
|
The Bronzmen Radio Transcriptions 1939 More Info on our New Store >> |
||
|
Golden Gate Quartet Radio Transcriptions 1941 - 1944 More Info on our New Store >> |
||
|
Blue Girls Vol 1 1924 - 1930 Classic, Barrelhouse and Country Blues are all here and these women really know how to sing them. More Info on our New Store >> |
||
|
Blue Girls Vol 2 1925 - 1930 Classic, Barrelhouse and Country Blues are all here and these women really know how to sing them. More Info on our New Store >> |
||
|
Female Blues Singers Vol 1 A/B 1924 - 1932 DOCD-5505 Female Blues Singers Vol 4 C 1921 - 1930 Genres: Blues, Classic Blues, Female Blues, Jazz. Informative booklet notes by David Evans Detailed discography. The singers on this first volume demonstrate the extremes of the stylistic range of the female blues singers of this era from the southern barrelhouse style of Ora Alexander and the down-home style of Baby Bonnie to the vaudeville style of Louise Anderson and Mildred Austin. Accompanists include Theodore �Wingy� Carpenter, Lovell Bolan, Milton Davage and Corky Williams. The female blues singers who made records in the 1920s and early 1930 are often simplistically characterized as "vaudeville" artists. This series, of fourteen volumes, concentrates on singers who made only a handful of recordings and who mostly remain biographically obscure, reveals the true diversity of the female artists of this era. While the vaudeville theatres and travelling tent shows were probably the main venues for most of them, some sang in cabarets and others in low-down barrelhouses. Continued... More Info on our New Store >> |
||
|
|
|
|