Catalogue
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Vinyl LPs are back!!! Document Records and Jack White's Third Man Records have teamed up to produce an astonishing new series of vinyl albums. Drawing material from the Document vaults, the series concentrates on the best names in vintage blues. With new sound restoration, remarkable cover artwork, extensive liner notes and detailed discographies, these albums are both a treat for fans of this amazing music and a collectors dream.
Some of the greatest names in Vintage Jazz, Boogie-woogie and Blues, including, Pete Johnson, Jimmy Yancey, Albert Ammons, Alberta Hunter, Kid Ory, Leadbelly and many more.
These previously unissued recordings were produced by the Edison Company between the years of 1914-1929. The repertoire includes Blues, Country, Hawaiian, Vaudeville Sketches, Popular Vocal Songs of the era, Opera / Classical, Jazz, Dance Bands of the 1920's, speeches by popular orators and political figures and the voice of Mr. Edison himself!
A rapidly increasing collection of fascinating special projects, themes and documentaries – blues, gospel, featured artists. Includes projects commissioned by Paul Oliver, Bill Wyman and Jeff Harris with many more to follow…
The BIG one. At 679 CDs and growing this is one of the biggest slices of Afro-American music history that you will find anywhere. The complete recorded works of hundreds of blues, gospel, spiritual, boogie-woogie, songster artist; from the late 1800s onwards. Many, many recordings not available elsewhere these are the roots of soul, modern gospel, R&B, rap, black urban vocal music and rock.
The original ninyl Blues Document Series preserved on CD. Includes classic recordings such as Blind Willie McTell Library of Congress session of 1940, classic post war recordings by memphis Minnie, by Jessie Thomas (brother of Ramblin' Thomas), Carolina Slim, Cripple Clarence Lofton and many more...
This ever popular series spotlights the many masters of the early Country Music genre known to many as Old Timey music. Here you will find rare, historic recordings by The Skillet Lickers, Dixon Brothers, Fiddlin’ John Carson, Sam McGee, Fiddlin’ Doc Roberts, Walter Smith and many more.
Vintage recordings from some of the historic masters of Jazz including Bunk Johnson, Clifford Hayes, Teddy Bunn, Johnny Dunn, Porter Grainger and many more.
Five CDs rescued from the impressive groundbreaking Matchbox Blues Series which first made its appearance back in the 1980s. Covers the Complete pre-war recorded works of Texas Alexander, Peg Leg Howell and Eddie Anthony.
These, sampler CDs at a low budget price are a an ideal way to not only dip in and discover the delights of Document but are also a great introduction into the blues, jazz, gospel, swing and country music. No expertise required, just sit back and enjoy.
"Search Document Records - Paul Warmack and His Gully Jumpers Results "
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Rags, Breakdowns, Stomps & Blues - Vintage Mandolin Music (1927-1946) Various Artists.
Informative 12 page, colour illustrated booklet by Richard Cherry.
Detailed discography.
Keith Briggs of Blues & Rhythm Magazine writes; "These days the mandolin is almost exclusively identified with Bluegrass music but for decades it had maintained a regular showing in mainstream old time music, ragtime and blues (both urban and rural). This is illustrated to the dates appended to the title of this CD which refer at one end to Dallas Rag and Carbolic Rag, various display pieces, one each from the black and white traditions, and at the other Lint Head Stomp, a track often considered to be proto-Bluegrass. The mixture is maintained throughout but is weighted in favor of black artists. Care has also been taken to present the mandolin in a supporting role or as a part of an ensemble. The secret weapon for many a string band was and still is the mandolin. This compilation brings together some wonderful blues, jazz, bluegrass and country performances, built around this small but potent instrument. Continued... More Info >> |
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Our Price £7.49
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Nashville 1928 This is the first chapter of a long and winding tale: how a leafy Mid-Southern city with an attraction for the insurance business grew into the Third Coast of the American record industry. Yet the story of Music City USA opens not in Owen Bradley's Quonset hut or RCA's studio B, nor with independent labels of the '40s like Bullet Records, but in a temporary studio in a downtown office building, one week in 1928. More Info >> |
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Our Price £7.49
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